Areia Remix #82 | Hyuna - Bubble Pop
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Download this remix and its instrumental! http://www.areiacreations.com/hyuna-bubble-pop-areia-remix-82/
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I have started this remix a while ago when I was experimenting with electro house sound design. That version at the teaser was ok cause I was using a part of the song that didn't have much background music. But after that hell breaks loose and it was impossible to come up with something nice sounding. It was once again that dreadful time when I had to come up with crazy stuff and compromise cause I was working with a song that I didn't have the clean vocals. Time went on and that project just became too old for my current standards but I still was very concerned about it as it was one of my funded projects.
That was till I've got my hands on the MR version used in her performance. As I've been emphasizing occasionally in a few live performance videos receiving countless fire and trolling accusations by fanboys, the MRs aren't completely clear of vocals - in this case about 70% of Hyuna's original voice was prerecorded in there. Still that 30% louder vocals that I could get by the phase cancelation method (the difference between the MR and the original) along with my latest improvements in sound design were enough to give me a breakthrough and come up with something way more acceptable than the first version.
A flaw in this version that I can recognize myself is that I couldn't get a more prominent bass. The bassline's rhythm and the way it mixes into the song wouldn't allow for that booming "piercing-through-the-drums" bass. On the other hand it fitted perfectly with the original so I just had to compromise. In addition there are some mid/high annoying sounds which are the remains of the original -after a lot of manual remaking work- but is a hard compromise I have to make in order to take the vocals loud enough in the mix. At the dubstep part during the bridge I've chosen to create an easier to the ear sound without wobbling going on since I wanted it to be just a pleasant and sexy break without alienating non-dubstep fans too much. I'm working on much filthier stuff for some upcoming full dubstep remixes so bare with me. Any translation online was disgustingly wrong so you thank Minjoo for this superb translation that allows you feeling the original character of the song exactly as if you were native Korean.
Visit our website for more than #100 kpop remixes! http://www.areiacreations.com
I have started this remix a while ago when I was experimenting with electro house sound design. That version at the teaser was ok cause I was using a part of the song that didn't have much background music. But after that hell breaks loose and it was impossible to come up with something nice sounding. It was once again that dreadful time when I had to come up with crazy stuff and compromise cause I was working with a song that I didn't have the clean vocals. Time went on and that project just became too old for my current standards but I still was very concerned about it as it was one of my funded projects.
That was till I've got my hands on the MR version used in her performance. As I've been emphasizing occasionally in a few live performance videos receiving countless fire and trolling accusations by fanboys, the MRs aren't completely clear of vocals - in this case about 70% of Hyuna's original voice was prerecorded in there. Still that 30% louder vocals that I could get by the phase cancelation method (the difference between the MR and the original) along with my latest improvements in sound design were enough to give me a breakthrough and come up with something way more acceptable than the first version.
A flaw in this version that I can recognize myself is that I couldn't get a more prominent bass. The bassline's rhythm and the way it mixes into the song wouldn't allow for that booming "piercing-through-the-drums" bass. On the other hand it fitted perfectly with the original so I just had to compromise. In addition there are some mid/high annoying sounds which are the remains of the original -after a lot of manual remaking work- but is a hard compromise I have to make in order to take the vocals loud enough in the mix. At the dubstep part during the bridge I've chosen to create an easier to the ear sound without wobbling going on since I wanted it to be just a pleasant and sexy break without alienating non-dubstep fans too much. I'm working on much filthier stuff for some upcoming full dubstep remixes so bare with me. Any translation online was disgustingly wrong so you thank Minjoo for this superb translation that allows you feeling the original character of the song exactly as if you were native Korean.